![]() Develop new critical understandings of dance and the art institution to support further development in the field.Model best practice in commissioning, curating, conserving, presenting and interpreting choreographic work in the museum and gallery context.Articulate best practice in the life cycle of choreographic work when it enters the museum and gallery.The project addresses this problem and its principal aims are to: However, processes and protocols concerning performance conditions specific to choreography, curatorial practices, acquisitions, collection, conservation and theory have lagged behind. ![]() ![]() This is forecast to accelerate, propelled by curatorial inquiries and critical developments associated with a reinvention of the museum. Against the backdrop of intermedial experiments in the mid-20th century, the 21st century has seen dance and choreography appear more frequently in art galleries and museums. ![]()
0 Comments
Leave a Reply. |